Rome - Die Æsthetik Der Herrschaftsfreiheit: Aufbruch / A Cross Of Wheat (Vinyl)

Descriere

Die Æsthetik der Herrschaftsfreiheit is beautiful, heartbreaking, thought provoking and can be taken as whole or as individual pieces. The three discs - Aufbruch or A Cross Of Wheat, Aufruhr or A Cross Of Fire and Aufgabe or A Cross Of Flowers - each have a distinctive feel and place. Each disc begins and end with spoken word parts, and interspersed on occasion are more of these speeches featuring the words of Bertolt Brecht and Pablo Neruda amongst others.Aufbruch or A Cross Of Wheat has more in common with Reuter's earlier works. A more bombastic sound underpins the works found here, that slight industrial beat binds with tracks that remind a listener of neo-folk greats Death In June, particularly on "Our Holy Rue," the vocal coming across more Douglas P. than anything else Rome have produced. The sound of gentle acoustic guitar carries this disc towards its conclusion. Gorgeous flourishes tinge "A Pact Of Blood," and heartbreak abounds in "In Cruel Fire." "The Merchant Fleet" features a more bass driven tone, minimal yet full, again the voice filling out the track perfectly - possibly the most important aspect of any Rome release is that voice. Able to dance from a more spoken style to sublime melodies, Jerome Reuter is in possession of a powerful instrument, telling a story just from the sound alone. Incredible. "Seeds Of Liberation" is the first track proper on second offering Aufruhr or A Cross Of Fire, possibly the more politically themed record in this trifecta. Seemingly the thrust of the narrative, this is a record telling of conflict - talking of rebellion and governance. "Sons Of Aeeth" leaps along on a simple martial beat and "August Spies" utilises superb string embellishments. "To Be Governed" is taken directly from a writing by French politician and socialist Pierre-Joseph Proudhon. A key influence on the Anarchist movement, he stood for the common man and for workers and peasants. An interesting piece to include on the record, it could be assumed that this particular work is for those people who feel oppressed by their governments, elected officials charged with the running of a country, and a world, that at the moment is in uproar. Writing these albums during moment of huge change for countries under the rule of dictators, countries rising up and taking on these "leaders," Reuter has taken on the thoughts of many - both past and present - thoughts that always seem relevant and produced an outstanding work of tales of resistance and for fighting for your freedoms and rights. Final disc then, Aufgabe or A Cross Of Flowers is likely the more reflective of the three records. Perhaps the calm after the storm of revolution, a time to ruminate on the happenings of the past and to learn and move forward. A sense of sadness seems to permeate this last record. The voice and concept tinged with a forlorn beauty, none more so than on "Petrograd Waltz." A palpable futility soaks the atmosphere, as if it is known that change - whilst it must happen - is still so very far away. "Ballots and Bullets" driving this point to it's hilt, these are not the things that will invoke change, it is the people that will do this. This album is again, a stripped back affair. Refined acoustic guitar work, gentle samples of strings and on the aforementioned "Petrograd Waltz" a glorious resonating bell is heard. Die Æsthetik der Herrschaftsfreiheit is a piece of art, a provoking work on the state of the world today.